44. “Masters of voidness Flaubert, Melville, Mallarme”

Though he teaches Oriental art history (at Brooklyn and Hunter colleges), Reinhardt denies any undue Eastern influences on his purist pursuits. “Artists,” he says, “should have a kind of Malrauxian point of view, in which the whole history of art is known to and is part of them. Otherwise, they’re idiots, children” (his lip curls) “or romantics.”

– Grace Glueck: ‘Mr. Pure’,  New York Times, 13 November 1966

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