[Oneness] [00]
(‘Art as Art’ pp. 105 to 107)
Shadow of the spiritual [01], the one, the good [02]
(Sign, image, universe of sense [03] only) purest, most equivocal
Movement beyond itself toward its idea [04]
Intensified, purified, exalted, awesome nearness of center [05]
Purgative, illuminative, unitive [06], most secret working [07]
Innermost essence, perfection inner concentration [08]
A principle of its own which however capable of historical evolution,
yet remains unchanged in essence [09]
No “lowest common denominator” but highest
Secondlessness [10], secondarinessless, non-duality, unmixed being [11]
Mystical ascent [12] ( – separation from error [13], evil
( – “ from world of appearances [14], sense
(attractions [15]
( – “the divine dark” [16] – “luminous darkness” [17]
First, light, then cloud, finally dark [18]
Yearning for further vision [19] –> vision beyond vision [20]
Neither choice nor chance [21], chance not choice
No Part of the flux [22], fluxum & jetsum
“Let’s get the flux outa here”
Always seen as something new, strange, wonder [23].
Never exhaust desire to see more [24]
“One” over by it, “oneder,” “onederfull”
Awareness of hidden things [25], look toward what is hidden [26]
Avest for that which has no dimension, no time [27]
Nothing to take hold of, neither place, time, measure, nor anything else [28].
Beyond essence, inconceivability
Beyond light, limit, the unmixed, the unfettered
the unchangeable, the untrammeled
Intangible, invisible, illimitable
Beyond “ seeing,” beyond foul and fair [29]
Of what transcends all affirmation.
What is beyond all negation [30] beyond becoming
Advance toward the formless, what is without contour,
Encountering nothingness [31]
Contemplate supreme principle [32] of the one, hold to unity [33]
The one does not contain any difference, always present [34]
The one is not in some one place [35], pinpoint, pigeonhole
The one not aspire to us, we aspire to it [36], achievement
At home with voids, reality, and self sums, products of zero
“Not that”, it is “no thing”, “nil”, “nothing” [37]
“A non-rendering of non-experience” [38]
turning up as dark shadow, spreading stain, widening fissure
Nay-sayers, underminers [39]
Absurd [40], nausea [41], negativity, cold wind of nothing, blankness [42]
Nothing is the whole, or at least the central, tune [43]
Masters of voidness
Flaubert, Melville, Mallarme [44]
“Bottomless doubt” [45]
Sum of all enigmas, deliberately thwarts every system of inquiry and interpretation
Pervasive presence [46]
Interstices of void [47] provide perspective, depth, significant distance
“Unnamable” [48]
“Sense of an ending,” paradigm of apocalypse [49]
Structure mere successiveness into patterns [50]
make life endurable [51] against the drear perspectives of ongoing
time? [52]
Make sense of their span
fictive concords with origins and ends <– [53]
Moves off the plane of theory [54]
Break through its own paradigms
Reinvent cherishable world within prison of temporality [55]
The only distinction to hold up in the long run is the one between good
and bad [56]
From painting to painting from time to time
Far-ranging mockery
Wealth of possibility whose individual possibilities tend to cancel one
another out
Unfreedom felt as freedom and the reverse
Radical mistrust of language, writing, fiction, imagination [57]
Resist at same time as it stays in connection
Not-again-to-be-taken-in
New formed on the dead ground [58]
One “retracts” what has been done not by ignoring it or doing it new
But by discrediting it as the answer [59]
Discrediting its claims, to be what art has to be
–> representationalism [60]
“Freaking out,” “blowing one’s mind”
Motion of non-events [61]
Status in imagination [62]
Deprived of their tyranny [63] as fashionable facts [64]
Easy score
Redeem it from exhausted uses and servitude to other powers [65]
Do nothing but repeat its dead form [66] <–