Art News

00. [Oneness]

From Oneness, produce the ten thousand things; through the ten thousand things, govern the One.

– Shih-t’ao: ‘Hua-p’u’ chapter 7, ‘Harmonious Atmosphere (Yin Yun)’

No characteristics except its oneness <–

It is not a thing nor a thing in it

Neither white nor black, neither red nor green, of no color whatever

Beingless, becoming not, nameless

Where there is nothing but the one, nothing is seen

Ad Reinhardt: ‘ONE’, Unpublished Notes, 1966-67

…if all images are detached from the soul, and it contemplates only the Simple One, then the soul’s naked being finds the naked, formless being of the divine unity.

– Meister Eckhart: ‘The Essential Sermons, Commentaries, Treatises, and Defense’

So long as something is still the object (vishaya) of our attention we are not yet one with the One. For where there is nothing but the ONE, nothing is seen.

– Rudolf Otto: ‘Mysticism East and West’, 1932 (and Meridian Books Inc. August 1957)

Our thought cannot grasp the One as long as any other image remains active in the soul.

– Plotinus: ‘The Six Enneads’

If he remembers who he became when he merged with the One, he will bear its image in himself. He was himself one, with no diversity in himself or his outward relations; for no movement was in him, no passion, no desire for another, once the ascent was accomplished. Nor indeed was there any reason or though, nor, if we dare say it, any trace of himself.

– Plotinus: ‘The Six Enneads’

It is no less than the Eternal and Infinite Oneness of God, the Certainty of Whose Truth burns up all except Itself.

– Abu Bakr Siraj Ed-Din: ‘The Book of Certainty’, 1952

Enter me, O Lord, into the deep of the Ocean of Thine Infinite Oneness

– Muhyi’d-Din Ibn Arabi

Does Islamic non-figurative art triumphantly proclaim the “Infinite Oneness of God “ or does it triumphantly proclaim again, with all other art, only the same “endless sameness of art.”

– Ad Reinhardt: ‘Art vs. History’, Art News,January 1966

Equality today means ‘sameness,’ rather than oneness.

– Erich Fromm: ‘The Art of Loving’, Harper & Row, New York, 1956

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32. “supreme principle”

The Supreme must be an entity in which the two are one; it will, therefore, be a Seeing that lives, not an object of vision like things existing in something other than themselves: what exists in an outside element is some mode of living-thing; it is not the Self-Living.

– Plotinus: ‘The Six Enneads’

Plotinus has given its fullest development to Neo-Platonism. We will follow his working out of the two fundamental ideas which, in his view, sum up all philosophy.

(1) The Process of Emanation from a Supreme Principle, the one source of all existing things, explains the physical and the metaphysical worlds. According as this principle gives out its energy, it exhausts itself; its determinations follow a descending scale, becoming less and less perfect. The following are the successive steps in the process:

The One

At the head of the intelligible world, far removed from the world of sense (Plato), reigns One Supreme Essence. To safeguard its transcendence, Piotinus states it to be absolutely indeterminate (apeiron). No quality marks or defines it; nothing can determine it, for all determination implies limitation (negative theodicy). The Supreme Being has no attribute, not even intellect or will: knowledge and volition suppose a duality of knower and thing known, of that which wills and that which is willed; and all duality is irreconcilable with the infinitely perfect. However, as this negative concept has for basis the Divine perfection, Plotinus has recourse to positive descriptions, the insufficiency of which, moreover, he fully recognises. By preference he describes the Supreme Being as the First (to prôton), the One, the Universal Cause, Goodness (Plato), Light. Immutable in itself, this First Unitary Being does not diffuse its substance into other beings, as the advocates of substantialist pantheism maintain; but it permeates them by its activity (dynamic pantheism); and what we call the proper, specific substantiality of things is simply the product of this activity. Furthermore, this outflow of the Divine activity into all other beings is not direct and immediate; it is effected through the agency of intermediary forces which emanate successively from one another. And as the effect is always less perfect than the cause, these activities are arranged in gradation according to their respective degrees of perfection, each one occupying a position which is lower the greater the number of intermediate steps by which it communicates with the Divine energy. What are these intermediaries into which the Divine energy flows, as it were, by cascades? Plotinus reduces them to three: Intelligence and the World-Soul in the suprasensible order; and, in the sensible order, Matter.

– Maurice De Wulf: ‘History of Medieval Philosophy’, 1909

Only blankness, complete awareness, distinterestedness; the “artist-as-artist” only, of one and rational mind, “vacant and spiritual, empty and marvelous,” in symmetries and regularities only; the changeless “human content,” the timeless “supreme principle,” the ageless “universal formula” of art, nothing else.

– Ad Reinhardt, ‘Timeless in Asia’, Art News, January 1960

42. “negativity, cold wind of nothing, blankness”

Only blankness, complete awareness, distinterestedness; the “artist-as-artist” only, of one and rational mind, “vacant and spiritual, empty and marvelous,” in symmetries and regularities only; the changeless “human content,” the timeless “supreme principle,” the ageless “universal formula” of art, nothing else.

– Ad Reinhardt: ‘Timeless in Asia’, Art News, January 1960

 

66. “Do nothing but repeat its dead form”

Does Islamic non-figurative art triumphantly proclaim the “Infinite Oneness of God” or does it triumphantly proclaim again, with all other art, only the same “endless sameness of art”?

– Ad Reinhardt: ‘Art Vs. History’, Art News, January 1966

This new part of your ‘art-as-art dogma’ looks like the same old thing. Are you still saying the one thing you say needs to be said over and over again and that this thing is the only thing for an artist to say” I asked.

“Yes,” he said.

“There’s nothing else to say?” I asked.

“No,” he said.

– Ad Reinhardt: Autointerview, Art News, March 1965

The necessity of doing nothing

(The necessity of) not doing anything

“Striving” for nothing.

– Ad Reinhardt: ‘[Notes on the Black Paintings]’, Unpublished, undated notes

Where there is nothing but the one, nothing is seen

Ad Reinhardt: ‘ONE’, Unpublished Notes, 1966-67

Endless repetition of infinite sameness / Not sameness but oneness?”

– Ad Reinhardt: ‘Art-As-Art’, Unpublished Notes, 1966-67

Because there is nothing to paint and nothing to paint with.

– Samuel Beckett: ‘Proust and Three Dialogues with Georges Duthuit’, Calder and Boyars, 1965