Repetition

62. “Status in imagination”

The Imagination then I consider either as primary, or secondary. The primary Imagination I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I Am. The secondary I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create; or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.

– Samuel Taylor Coleridge: ‘Biographia Literaria’, 1817

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66. “Do nothing but repeat its dead form”

Does Islamic non-figurative art triumphantly proclaim the “Infinite Oneness of God” or does it triumphantly proclaim again, with all other art, only the same “endless sameness of art”?

– Ad Reinhardt: ‘Art Vs. History’, Art News, January 1966

This new part of your ‘art-as-art dogma’ looks like the same old thing. Are you still saying the one thing you say needs to be said over and over again and that this thing is the only thing for an artist to say” I asked.

“Yes,” he said.

“There’s nothing else to say?” I asked.

“No,” he said.

– Ad Reinhardt: Autointerview, Art News, March 1965

The necessity of doing nothing

(The necessity of) not doing anything

“Striving” for nothing.

– Ad Reinhardt: ‘[Notes on the Black Paintings]’, Unpublished, undated notes

Where there is nothing but the one, nothing is seen

Ad Reinhardt: ‘ONE’, Unpublished Notes, 1966-67

Endless repetition of infinite sameness / Not sameness but oneness?”

– Ad Reinhardt: ‘Art-As-Art’, Unpublished Notes, 1966-67

Because there is nothing to paint and nothing to paint with.

– Samuel Beckett: ‘Proust and Three Dialogues with Georges Duthuit’, Calder and Boyars, 1965