50. “Structure mere successiveness into patterns”

We need ends and kairoi and the pleroma, even now when the history of the world has so terribly and so untidily expanded its endless successiveness. We re-create the horizons we have abolished, the structures that have collapsed; and we do so in terms of the old patterns, adapting them to our new worlds. Ends, for example, become a matter of images, figures for what does not exist except humanly. Our stories must recognize mere successiveness but not be merely successive; Ulysses, for example, may be said to unite the irreducible chronos of Dublin with the irreducible kairoi of Homer. In the middest, we look for a fullness of time, for beginning, middle, and end in concord.

– Frank Kermode: ‘Sense of An Ending’, Oxford University Press, 1967

For if what Kermode persistently refers to as merely successive, “real” time were in itself but another fiction, then he would be committed only to a study of various orders of fiction rather than to a study of fictions as changing responses to a hypothetically changeless and formless reality. And fictions may be sense-depriving as well as sense-making.

– Leo Bersani: ‘Variations On a Paradigm’, New York Times, 11 June 1967

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